Tuesday, January 9, 2018

Ethics and Animals

Ethics and Animals

Spring, 2018

MWF 1-1:50
Bowman 202

Professor:            Dr. David K. Braden-Johnson                      
Department:        Philosophy, Interdisciplinary Studies, and Modern Languages
Office:                   Office #2, 100 Porter Street
Office Hours:      MWF 2-3
Phone:                  (413) 662-5448
Email:                   d.johnson@mcla.edu
Blog:                      http://www.critojazz.blogspot.com

Required Text: Lori Gruen, Ethics and Animals: An Introduction.  All other readings in handout form or online.

Focus of Course

Ethics
We all subscribe, at any point in time, to a certain set of moral propositions (only some of which we can readily articulate). For example, someone might hold to all of the following (moral/ethical/normative) views:

(1) Tolerance is always a good thing.
(2) Late-term abortions are wrong.
(3) Suicide should be viewed as simply a matter of personal choice.
(4) Sexual harassment is never excusable.
(5) Eating turkey on Thanksgiving is a harmless tradition.
(6) Killing whales for profit is inhumane and should be illegal.

It is important to note that ethics is not a unique form of reasoning; rather, it involves giving moral reasons to support the moral positions/beliefs/claims we actually hold or assert.  Ethics therefore entails a number of questions: Are our reasons objective?  That is, do they hold true for all persons in relevantly similar situations?  Or could our moral reasons be reducible to custom (cultural relativism), to subjective feelings (emotivism), to self-interest (egoism), or to religion (theism)?  What is the role of consistency or coherence in ethics? Should the defender of (1) tolerate someone else's defense of sexual harassment or third-trimester abortion?  Can the defender of (5) make (rational) sense of his or her commitment to (2) or (6)?  Is there an intellectually responsible escape from these concerns in some variety of “relativistic,” contextual, or “personal” ethics?

Who matters?
Which species of animals on earth matter to humans (or have value of some sort to or for us); or, on the assumption that human valuations often reflect the value that inheres to objects, have value to or in themselves (i.e., "intrinsic" value)?  These very general axiological (value-based) questions will serve as the starting point for our consideration of the proper range of human (moral or ethical) valuations.  Of course, the earth and at least some of its creatures do matter to some extent to all of us, as we naturally include ourselves and/or our interests and companion/favorite animals among those most valued objects.
(over)

How much do they matter?
Therefore, the real question we must ask is this: How much ought these living beings (including humans) matter to us and why?  In other words: What is the proper degree of respect due these others?  Can we identify a universal set of basic moral obligations to (some part of) the animal world, or will these obligations vary along cultural, ethnic, geographical, racial, historical, or gender-based lines?  And, given certain inevitable conflicts that will arise within any coherent set of valuations, what kinds of tradeoffs are we justified in making?  Given, for example, certain morally relevant similarities between many human and nonhuman animals, are we ever morally justified in advocating or engaging in forms of scientific experimentation on nonhumans that are designed to benefit humans alone?

The ethics of use
Most generally, is the human use or consumption, in various ways, of sentient (or conscious, or self-aware) yet nonhuman life consistent with a recognition of the special kind of value (assuming there be such -- here we can raise the specter of the proper valuation of non-animal life or even non-living entities, though environmental ethics will not be our main focus) that attaches to these living beings?  Or might we identify some morally relevant difference (or set of differences) between humans and all other creatures that are sufficient to justify current human consumptive practices (namely, the use nonhuman animals for food, clothing, or medical, sport, and entertainment purposes)?

Online Activities
My main blog listed above contains links to all supporting course handouts and assignments, including a noninteractive blog-page that lists weekly reading/writing assignments for this course (“Ethics & Animals”).  Since I prefer to devote class-time to the exposition and analysis of student and textual positions, I typically reserve my own frequently evolving views for this online medium.

Class Policies and Expectations
Carefully review Handout CL and Matt Silliman’s short essay, designed for honors students but to my mind applicable to good students everywhere, “What Makes Honors Students Honorable?” in Thesis XII (http://thesisxii.blogspot.com). Maintaining civility and openness is especially important – and at times challenging – in this context.  Our discussions and readings will involve unpleasant (often ignored) facts about human-animal relations and contentious moral theories, many of which explicitly condemn the commonplace, traditional, or seemingly innocuous daily activities of the vast majority of humanity.  Therefore, our task is to carve out a safe, productive, intellectually engaging space for the careful consideration of these facts and theories about our relations to nonhuman others.  This is decidedly not the time for moralizing (“Well, if you want to be a better person…”), proselytizing (“Animals are people, too; end of story!”), or the defensive promotion of one’s long-held view (“Animals have been eating each other since the dawn of time.…”).

Cancellations
I will attempt to email the entire class to warn of any unanticipated cancellations.

Laptop Policy
Like a concert hall or theater, our classroom is reserved for face-to-face interaction. Thus, barring special needs or circumstances, you may bring but not use your laptop during class. The same policy applies to cell phones, IPods, and all other distracting gadgets. Please print out in advance any electronic material required for class.

Examinations
There will be no examinations in this course.

Q&As
Every two weeks, students will complete short, highly-polished, critical (See Handouts CR1, CR2, and CR3) writing assignments (typically based on a specific reading from our text) called “Q&As” (see Handout QAHO).

My grading policy is, therefore, transparent and simple, based solely on the scores of your Q&As. (See Handouts QAHO and CL, “grading”).


Art and Philosophy

Art and Philosophy (PHIL 120:01)
Spring, 2018
MWF 11-11:50
Bowman 218

Professor:            Dr. David K. Braden-Johnson                      
Department:        Philosophy, Interdisciplinary Studies, and Modern Languages
Office:                   Office #2, 100 Porter Street
Office Hours:      MWF 2-3
Phone:                  (413) 662-5448
Email:                   d.johnson@mcla.edu
Blog:                      http://www.critojazz.blogspot.com

Required Text:  Neill & Ridley, Arguing About Art

Focus of Class
This is an introductory yet rigorous seminar in the philosophy of art (often called “aesthetics”).  In the context of a philosophical (essentially theoretical, rather than a more narrowly historical, psychological, or sociological, etc.) approach to the products and processes of human artistic efforts, this course surveys and employs a variety of traditional and contemporary concepts for describing accurately our experience, understanding, and appreciation of all forms of art.

Our philosophical inquiries will set out from two central questions of aesthetics: “What is art/the aesthetic?” and “What is the source of art’s unique value to humans?”  We will then take up several related, domain-specific, or applied questions such as:

What are the significant connections between artists and their audiences, society, history, politics, and the so-called “art-world”?  What is the nature of artistic innovation and/or creativity?  How are emotions/feelings, knowledge, truth, taste, beauty, and interpretation related to the arts?

Online Activities
My blog listed above contains links to all supporting course handouts and assignments, including a non-interactive page that lists weekly reading assignments for this course (“Art and Philosophy”).  Since I prefer to devote class-time to the exposition and analysis of student and textual positions, I typically reserve my own views for this online medium.

Class Policies and Expectations
Carefully review Handout CL and the honors Director’s short essay, designed for honors students but to my mind applicable to good students everywhere, “What Makes Honors Students Honorable?” in Thesis XII Online (http://thesisxii.blogspot.com)

Cancellations
I will attempt to email the entire class to warn of any unanticipated cancellations.

Laptop/Cell phone Policy
Like a concert hall or theater, our classroom is reserved for face-to-face interaction. Thus, barring special needs or circumstances, you may bring but not use your laptop during class. The same policy applies to cell phones, IPods, and all other distracting gadgets. Please print out in advance any material required for class.

Examinations
On most Fridays throughout the semester, we will have a short, 15-minute quiz.  All will be objective-style (T/F; multiple choice, short answer, etc.), cumulative quizzes on the content of both our readings and class discussions.  Each will be worth the same, amounting to roughly 100% of a student’s final grade for the course. 

My grading policy is, therefore, transparent and simple, based solely on the scores of your quizzes.  At the close of the semester, I will drop the lowest 2 grades for each student.  Missed quizzes count as “zeros.”



Art and Philosophy-Honors

Art and Philosophy-Honors (PHIL 120H:01)
Spring, 2018
MWF 10-10:50
Bowman 218

Professor:            Dr. David K. Braden-Johnson                      
Department:        Philosophy, Interdisciplinary Studies, and Modern Languages
Office:                   Office #2, 100 Porter Street
Office Hours:      MWF 2-3
Phone:                  (413) 662-5448
Email:                   d.johnson@mcla.edu
Blog:                      http://www.critojazz.blogspot.com

Required Text:  Neill & Ridley, Arguing About Art

Focus of Class
This is an introductory yet rigorous seminar in the philosophy of art (often called “aesthetics”).  In the context of a philosophical (essentially theoretical, rather than a more narrowly historical, psychological, or sociological, etc.) approach to the products and processes of human artistic efforts, this course surveys and employs a variety of traditional and contemporary concepts for describing accurately our experience, understanding, and appreciation of all forms of art.

Our philosophical inquiries will set out from two central questions of aesthetics: “What is art/the aesthetic?” and “What is the source of art’s unique value to humans?”  We will then take up several related, domain-specific, or applied questions such as:

What are the significant connections between artists and their audiences, society, history, politics, and the so-called “art-world”?  What is the nature of artistic innovation and/or creativity?  How are emotions/feelings, knowledge, truth, taste, beauty, and interpretation related to the arts?

Online Activities
My blog listed above contains links to all supporting course handouts and assignments, including a non-interactive page that lists weekly writing/reading assignments for this course (“Art and Philosophy”).  Since I prefer to devote class-time to the exposition and analysis of student and textual positions, I typically reserve my own views for this online medium.

Class Policies and Expectations
Carefully review Handout CL and the honors Director’s short essay, designed for honors students but to my mind applicable to good students everywhere, “What Makes Honors Students Honorable?” in Thesis XII Online (http://thesisxii.blogspot.com)

Cancellations
I will attempt to email the entire class to warn of any unanticipated cancellations.

Laptop/Cell phone Policy
Like a concert hall or theater, our classroom is reserved for face-to-face interaction. Thus, barring special needs or circumstances, you may bring but not use your laptop during class. The same policy applies to cell phones, IPods, and all other distracting gadgets. Please print out in advance any material required for class.

Examinations
Most weeks, typically on Fridays, we will have a short, 15-minute quiz.  All will be objective-style (T/F; multiple choice, short answer, etc.), cumulative quizzes on the content of both our readings and class discussions.  Each will be worth the same, amounting to roughly 60% of a student’s final grade for the course.

Essays
Every third week or so, students will complete short, highly-polished, critical (See Handouts CR1, CR2, and CR3) writing assignments (typically based on a specific reading from our text) called “Q&As” (see Handout QAHO).  Each will be worth the same, typically due on Fridays, and amounting to roughly the remaining 40% of a student’s final grade for the course.

My grading policy is, therefore, transparent and simple, based solely on the scores of your quizzes and Q&As. (See Handouts QAHO and CL, “grading”).  At the close of the semester, I will drop the lowest two grades for each student.  Missed quizzes/papers count at “zeros.”